project
Still a work in progress, additional Cambodian portraits and refinements of existing portraits can be seen in the Dreamyland gallery. I plan to expand the number of images and diversity of subjects, also to refine the technique.
Big shout out to Bunsak But on the retouching and post production end. We hope to exhibit the series one day.
Accidental micro stories, pictorial jump cuts, random snapshots that suggest the passing of time or a scene in a movie.
An ongoing travel and fine art photography project that has slowly evolved over the past few years, taken randomly during travel photography trips, photo walks and general travel in Cambodia and elsewhere. The strips usually come about by accident during the selecting and editing of single photographs, it is a casual sketching process and only a few of the strips were planned at the time of shooting.
The series as a whole was initially influenced by my film school experimental filmmaking in the 90s, as well as vintage stereoscopic images. Some of the strips go back to my film camera celluloid days so have a nostalgic colour/grain effect that has come out of the negative scanning process.
More recently I have started to make portrait/vertical format strips, moving away from the cinema style narrative to a more pictorial illustrative look.
Frequented by the French colonialists and Cambodian elite, Bokor Hill was abandoned first by the French in the late 1940s during the first Indochina war, then again in 1972 by Cambodians as Khmer Rouge seized the area. During the Vietnamese invasion in 1979, Khmer Rouge entrenched themselves on the mountain and held on tightly for months. Up until the early 90s the area was still a no go area, land mines, poachers and bandits still being a danger.
Today the allure of "wild" Bokor and its ecotourism potential is rapidly disappearing, clearing swathes of nature to be replaced by tasteless casino resort buildings, concrete parking lots, housing estates, golf courses, fast food restaurants and artificial playgrounds. Plans are underway for a complete "City in the Clouds" overhaul.
A new road was completed in early 2012 that was once a 32km bone jarring motorbike ride through the jungle. Now the best quality road in the country can be driven in less than an hour, wide enough to accommodate gambling bus tours from neighbouring Vietnam.
The once centre piece French colonial era Grand Palace Hotel still stands overlooking Kampot bay and the surrounding hills of Bokor national park. But sadly many of the old buildings are being demolished. The site is owned by the government but is under a 99 year lease to the richest man in Cambodia, Mr Sok Kong (Sokimex Sokha company). Sokha’s plans to redevelop the plateaus is said to be completed in 13 years.
Eight kilometres from the Cambodian coastal town of Kampot, the surreal and tranquil Teuk Chhou Zoo sits in a idyllic valley at the fringe of Bokor National Park, where the Elephant mountains meet the plains of the Kampot River. The private zoo was realised in 1999 by His Excellency Senator Nhim Vanda, still the owner today. Over the years lack of finance and public interest rendered the zoo dilapidated, animal enclosures deteriorated and became unliveable, the animals were underfed and seriously neglected. Consequently many were malnourished and emaciated, culminating in sickness, depression and death.
After visiting the zoo in 2011 Rory and Melita Hunter, an Australian couple living in Cambodia pledged to do what they could to save the zoo's dying residents. Collaborating with Nhim Vanda and utilising the animal care skills of Nick Marx of the Wildlife Alliance, the situation was temporarily reversed and many of the animals were saved.
From this came Footprints, an NGO dedicating itself to the management and transformation of the zoo. A lease was signed with Nhim Vanda and plans for the future were slowly moving toward a "Teuk Chhou Wildlife & Educational Park".
In early 2013 the deal between Nhim Vanda and Footprints was abruptly broken over an unknown dispute and the future of the animals is uncertain once again.
